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“乐器之王”钢琴由近万个零部件组成，其设计之科学丶结构之复杂丶工艺之精密居所有乐器之首。因此，在进行钢琴调音时，调音师所采用的手法和姿势，应该符合钢琴的结构特点及工艺要求，以免调音时损坏钢琴零部件。同时还应注意，所采用调音手法和姿势，要有利于调音者节省体力丶减少疲劳丶方便调音，避免造成身体损伤，只有如此才能提高钢琴调音的速度和精度。The "King of Musical Instruments" is composed of nearly 10,000 parts. Its scientific design, complex structure, and precision craftsmanship rank first among all musical instruments. Therefore, when tuning a piano, the techniques and postures used by the tuner should comply with the structural characteristics and process requirements of the piano to avoid damaging the piano parts during tuning. At the same time, it should also be noted that the tuning techniques and postures used should help the tuner save energy, reduce fatigue, facilitate tuning, and avoid physical damage. Only in this way can the speed and accuracy of piano tuning be improved.
通过三十多年的实践和积累，特别是有意识的培养和锻炼交叉双手调音手法，在我的调音生涯之中起到了非常重要的作用和效果。这里所谓的交叉双手钢琴调音手法，是指在给钢琴调音时，调音扳子放置在什么方位，钢琴调音师用哪只手控制扳子，如何运扳以及身体相应的姿势等等控制内容。关于调音时用哪只手控制扳子更为合理，历来争议很大，甚至形成了派别和对立。Through more than thirty years of practice and accumulation, especially the conscious cultivation and training of cross-handed tuning techniques, it has played a very important role and effect in my tuning career. The so-called cross-handed piano tuning technique here refers to the position of the tuning wrench when tuning the piano, which hand the piano tuner uses to control the wrench, how to move the wrench and the corresponding body posture, etc. . There has always been great controversy over which hand is more reasonable to use to control the wrench when tuning, and even factions and antagonisms have formed.
在欧洲和日本，调音师基本上采用右手持扳，不同的是欧洲的调音师基本上是坐着用右手进行调音，而日本的调音师们则采取站立的姿势用右手调音。在中国大多数钢琴调音师使用左手持扳调音，也有部分调音师右手持扳调音，相同的是国内的钢琴调音师都采用坐姿。In Europe and Japan, tuners basically use the right hand to hold the lever. The difference is that European tuners basically sit and tune with their right hands, while Japanese tuners use a standing posture to tune with their right hands. In China, most piano tuners use their left hand to tune the piano, and some tuners use their right hand to tune. The same thing is that domestic piano tuners all use a sitting position.
那么究竟哪种调音手法更为合理丶更科学，我认为需要从个体的差异角度来考量比较好，其次就是需要从钢琴有关部分的结构特点丶工艺要求以及人体的生理情况等方面，去分析和总结。我在接触和交流学习了施坦威钢琴调音师的操作手法后认为，交叉双手调音手法效果非常好特推荐如下：高音区及中音区左手及右手均可，低音区则右手比较合适。（2019）So which tuning technique is more reasonable and scientific? I think it needs to be considered from the perspective of individual differences. Secondly, it needs to be analyzed from the structural characteristics of the relevant parts of the piano, process requirements and the physiological conditions of the human body. and summary. After contacting and communicating with each other and learning the operating techniques of Steinway piano tuners, I believe that the cross-handed tuning technique is very effective. I recommend the following: both the left and right hands are suitable for the high and alto areas, and the right hand is more suitable for the bass area. . (2019)
After I contacted and exchanged the experience of Steinway piano tuner, I thought that the effect of cross-handed tuning is very good. The following are recommended: high-pitched and mid-range left and right hands, and low-range right-handed. .
New York piano tuner yinan