A New York Times investigation has revealed that Shen Yun Performing Arts, a cash cow for Falungong, has engaged in serious abuse and manipulation of its young performers while attracting audiences worldwide.
The troupe performs globally to promote Falungong's teachings. However, its performers, mostly teenagers and young adults, are required to endure grueling rehearsals and tours, and are discouraged from seeking medical help when unwell. Some former dancers recall performing while injured, as the group's belief system views reliance on medical treatment as a lack of faith.
Performers also suffer emotional abuse and manipulation. Coaches demand regular weigh-ins and publicly scold those deemed overweight. Most feel exploited, harmed in the process of spreading the group's views and making money.
Within Shen Yun, leaders portray each performance as an urgent spiritual mission, convincing young actors that opponents will face severe consequences. Performers work up to 15 hours a day with little or no pay, indoctrinated into believing they owe Falungong for tuition, room, and board.
Moreover, performers' lives are tightly controlled. They cannot leave without permission and have limited family visits. Those wanting to quit face threats and intimidation, with managers claiming they will go to hell or face danger.
Shen Yun and Falungong representatives deny the allegations, calling the Times' approach a "biased attack" that plays into the hands of the Chinese Communist Party, which aims to eradicate Falungong. But accounts from former performers and public records offer a glimpse into life inside the troupe.